The City In Which I Loved You by Li-Young Lee

And when, in the city in which I love you,
even my most excellent song goes unanswered,
and I mount the scabbed streets,
the long shouts of avenues,
and tunnel sunken night in search of you…

That I negotiate fog, bituminous
rain rining like teeth into the beggar's tin,
or two men jackaling a third in some alley
weirdly lit by a couch on fire, that I
drag my extinction in search of you…

Past the guarded schoolyards, the boarded-up churches, swastikaed
synagogues, defended houses of worship, past
newspapered windows of tenements, along the violated,
the prosecuted citizenry, throughout this
storied, buttressed, scavenged, policed
city I call home, in which I am a guest…

a bruise, blue
in the muscle, you
impinge upon me.
As bone hugs the ache home, so
I'm vexed to love you, your body

the shape of returns, your hair a torso
of light, your heat
I must have, your opening
I'd eat, each moment
of that soft-finned fruit,
inverted fountain in which I don't see me.

My tongue remembers your wounded flavor.
The vein in my neck
adores you. A sword
stands up between my hips,
my hidden fleece send forth its scent of human oil.

The shadows under my arms,
I promise, are tender, the shadows
under my face. Do not calculate,
but come, smooth other, rough sister.
Yet, how will you know me

among the captives, my hair grown long,
my blood motley, my ways trespassed upon?
In the uproar, the confusion
of accents and inflections
how will you hear me when I open my mouth?

Look for me, one of the drab population
under fissured edifices, fractured
artifices. Make my various
names flock overhead,
I will follow you.
Hew me to your beauty.

Stack in me the unaccountable fire,
bring on me the iron leaf, but tenderly.
Folded one hundred times and
creased, I'll not crack.
Threshed to excellence, I'll achieve you.

but in the city
in which I love you,
no one comes, no one
meets me in the brick clefts;
in the wedged dark,

no finger touches me secretly, no mouth
tastes my flawless salt,
no one wakens the honey in the cells, finds the humming
in the ribs, the rich business in the recesses;
hulls clogged, I continue laden, translated

by exhaustion and time's appetite, my sleep abandoned
in bus stations and storefront stoops,
my insomnia erected under a sky
cross-hatched by wires, branches,
and black flights of rain. Lewd body of wind

jams me in the passageways, doors slam
like guns going off, a gun goes off, a pie plate spins
past, whizzing its thin tremolo,
a plastic bag, fat with wind, barrels by and slaps
a chain-link fence, wraps it like clung skin.

In the excavated places,
I waited for you, and I did not cry out.
In the derelict rooms, my body needed you,
and there was such flight in my breast.
During the daily assaults, I called to you,

~ excerpted from Li-Young Lee's The City In Which I Loved You

things not forgotten

  
 

I forget not the timbre of your voice
     soft at first
then raised, spiraling around my words
   only higher, still
       to return
as mist and sighs

I forget not the first glimpse,
   deceptively unblemished skin
      hiding the promise
   of sweetness

I forget not the way you look
      supine, or sublime
angered indifference
    at war
with beggared desire

No, I forget many things.

But you are not one of them.

  
 

pygmalion

  
 

long-limbed and lengthwise,
         in repose, upon my bed
               less and less the dark silhouette
                     at play, within my head
 
 
eyes lachrymal and cerise
         limbs argent, adorned
               an angel child with the devil's will
                     carved sibyl heart, and lithic born
 
 
reprobate, I wait unturned
          in my sanguineous desire
               to rest my head against the breast
                     and await the funeral pyre

  
 

one hundred percent true

to the innocent child
safely snug in comfort green
your laughter
crowds my heart

to the unrepentant teacher
driven, but never divided
your passion
is a lesson itself

to the patient submissive
whose quiet never quite reaches her eyes
your deserving need
serves my own

and to the fair-skinned woman
who believed when I said time would be enough
your love
is a fulcrum in my life

rose garden

be my rosary
            a decade of regrets
                      in a passing touch
 
 
your curves and cleft,
                 chalice
                      and font
                      
 
be my sanctuary,

       your bowed body
                   my
                  altar
 
 
and let the sound
              of your cries
                         give voice to my prayers

  
 

licorice

sometimes
                 you
                     just
                           want to
                                       fuck

 

 sheen of sweat on fevered skin
          slick
                 rubbing
                          of
                             entwined limbs

 

 bodies sliding
          groaning, grinding
                 frenzied breathing
                         bodies heaving
                               until
                                    the
                                        tension
                                                   breaks

favored by the sinners

   You are faith,
        favored by the sinners
        forgiven but not forgotten
        first to be filled
 
           last
               to flinch.

     in silence
         sentenced.
 
     in stillness
         left

     you belong here.

Happy new year, children.

I am off to the city of sin, to enjoy a week of decadence.

Here, a small gift.

Listen. 

[audio:Djaevle_Grail.mp3]
D'jaevle, Grail

traffic games

When traffic is steady, but moving, there is a game I occasionally play.

I'll study the distance to the car ahead of me, close my eyes, and count.

One, one-thousand. Two, one-thousand. Three, one-thousand. Four, one-thousand.

Five. Six. Seven.

Eight.

I often stop at eight.

But not always.

where have all my bad dreams gone
the house without doors
the cracked teeth and empty eyes

where have all my nightmares gone
denser than my waking thoughts
where I wait with anticipation for my
paper-thin demise at the hands
of kind strangers

the lost children

 

I prefer the greedy girls
    the lost children
        who have forgotten not
           how to play
              or pray
                 or
                   may
                       be
                           they have
                                  but they're good at pretending otherwise

 

Sometimes I see my words as sharp, covered in jagged edges, a sweet, warm and jagged pill. 

[audio:Djaevle_Unfinished.mp3]
D'jaevle, Unfinished