“A day in the life of…” – Part 5

Evelyn

Jaedin stepped into the lighthouse room and walked to Evelyn. She raised her head, green eyes meeting his. There was no fear in her. Stripped, bared, she could hold nothing back. Her vulnerability left no place for fear.

The right balance of pull along the ropes holding her aloft kept muscle strain to a minimum – but she had been there for hours. Jaedin could see her fatigue in the slight trembling along her arms. Jaedin brushed strands of brown hair away from her face, fingertips tickling her cheek. His voice, when he spoke, was soft, “Why are you here, Evelyn?”

Evelyn raised her head just a bit further. Her eyes had the clarity of molten glass. “To serve…myself.” The words slipped free without hesitation, a reflex as deep as breathing.

He nodded once, “And how best to serve yourself?” His fingers drew down against her chest, parting so that thumb and pinky each found the starting curve of a breast.

Her breathing caught, and her eyes closed as she focused on his hand, the way it continued its path lower, to her stomache, palm resting at the top of her abdomen. “By serving you, by serving you…” the words were breathed more than spoken and she shuddered as he turned his hand and slid it between her thighs, fingers curling up to feel the searing heat of her.

Jaedin spoke just a single word, but it was enough, “Yes.” She responded to it by rolling her hips forward, swaying in the ropes to press his hand deeper against her. Jaedin wrapped his free arm around her, hand coming to rest on the small of her back. He drew her into an embrace close enough for him to rest his cheek against the smooth heat of her breasts.

He listened to her heartbeat as two of his fingers slid inside of her and moved along the top, finding the slightly rough spot just a few inches inside. It did not take long, body shuddering and moving under his rhythmic touch, before she came hard into his hand, her thighs tensing and relaxing but unable to close on him. She was open, restrained, and completely at his mercy.

Jaedin remained there for a moment, fingers inside of her, listening to the music of her heartbeat, waiting for it to slow before slipping his fingers free. Taking his time, he knelt on one knee and released each of her ankles from the leather embrace of his manacles. Standing, he pressed himself fully against her and then pushed her back until he felt the weight of her body resting against him. Carefully he released each of her wrists and felt her sag into his arms.

Silently, he lifted her, cradling her naked form in his arms, and carried her down the stairs and to her room. Settling her into bed, he drew soft white sheets over her and smoothed the hair away from her face. She had not stirred since he taken her down, and he smiled to see her now turn her face towards his hand, lips brushing the palm. “Rest Evelyn. For tommorow will see your final test.”

He left her there, in the dark, with a single candle as company.

Accidental Honesty

Yesterday, I learned two things from being in an accident bad enough to essentially total both cars.

– People do not expect honesty, especially from the guilty (the accident was mostly my fault and I didn’t try to hide the fact; both the other driver and the police were shocked by this).

– You come to understand, in a manner that leaves no doubt, how much you are loved.

***

The next part of the “A day in the life of…” story will be forthcoming this weekend.

“A day in the life of…” – Part 4

Evelyn

The top of the lighthouse was a hexagonal room of glass designed to protect both the source of the lighthouse’s powerful revolving light and the light keeper who maintained it. The glass making up five of the six walls of the room was bordered in bronze. The sixth wall was not a wall at all, but a glass door. Two inches thick, the glass was strong enough to handle the chaotic ocean weather of the cliff but remained clear enough that it did not significantly hinder the strength of the light. While the revolving lamp in the center of the room took up most the space, there remained a three-foot wide path around the perimeter.

Within this space, facing out towards the glass, a woman was held suspended by rope.

Although this room had been built for a single purpose, Jaedin had made some adjustments. Spaced every foot and a half, hooks circled the ceiling above the path bordering the lighthouse lamp; a matching set of hooks followed in precision along the ground. Four of these hooks were currently in use and had, attached to them, long strands of rope that ended in leather manacles. Positioned correctly, these manacles could be used to hold a human figure spread-eagled above the ground. A figure such as Evelyn’s, the woman currently held locked into a spread-eagled position a good foot off the ground.

Jaedin paused on the last step of the spiraling staircase. A woman’s beauty can be captured in her silhouette; the hazy borders of the female form simplified in a manner that bypasses surface desires and strikes a much deeper chord. Shading gives definition to curves of breast and hip, depth to the concave shadows at the apex of her thighs.

He watched the suspended figure take each slow breath. The rising and falling of her chest in a rhythm that was both calming and stirring. She had the well-exercised but not quite lean body of someone who was used to working outside but knew the luxuries of a good home. Her dark brown hair draped over her bare upper back; her head was lowered and her bangs hid her in a waterfall of brown that obscured the details of her face. He didn’t need to see the details to remember well the dark green of her eyes.

He thought back on the circumstances that had brought her here. The daughter of a small town’s mill owner, she was cursed with enough beauty to attract the attention of a wealthy merchant. The arranged marriage brought her father enough mercantile contacts to increase his wealth twofold, but had brought her only the grief of a loveless relationship. This proved to have some unforeseen consequences; on her wedding night, every male within three miles – including her husband, the town mayor and several prominent clergyman – experienced a quite sudden, and rather dismaying, loss of ardor. Such a blow to male pride is hard to swallow no matter how forgiving the partner. This continued for several months (coinciding with each attempted consummation of the marriage). The extent, nature and source of the problem would have gone undiscovered (being of a subject not much admitted to, much less discussed) had her husband not complained loudly to her father in one of the town’s local pub. Looks were shared, connections were made, and an ultimatum was provided: she would need to learn to control her gift or have her wedding nullified before being exiled from the town.

Her father had sent her to Jaedin with a plea and several bags filled with gold. Neither meant much to Jaedin, but the sadness in the girl’s eyes had convinced him to take her in.

“A day in the life of…” – Part 3

Myriel

“Impossible.”

“I assure you, Master Jaedin, it is not impossible.” She paused, considering her next words carefully, “Now, I know you were the one who broke her, but the evidence is…”

Jaedin raised his right hand, “Let us stop there, Constable.” There was no friendliness in his demeanor now, no amusement in his eyes, or smile behind his words. “First, I do not break people, and I will ask you to refrain from using that term while in my house. Second, I did indeed train Miranda. And I can assure you, on my honor, that such training as I instilled in her remains to strong effect.”

“The facts say otherwise.” She tried to keep her tone flat, but she clearly enjoyed the fact she had thrown Jaedin slightly off step. She reached into the pocket of her black leather overcoat and drew out a folded parchment. Nimble fingers unfolded it quickly, “An eyewitness places Miranda near the kitchen at the time of the incident.”

A single arched eyebrow, “She’s the cook. That’s what cooks do. They work in kitchens.”

“It was four o’clock in the morning.” She made a show of reading the parchment, but Jaedin knew she had these details memorized. This was her fourth year as Constable and there were reasons she had retained the position.

“And?“ Jaedin adjusted the cuffs of his jacket, ensuring they were perfectly straight, “Seeing as both Master Kytrell and your eyewitness were up and about at the same time, that does not appear to be so very unusual.”

The parchment crinkled under Myriel’s fingers with the slow tightening of her grip. “Be that as it may, she had no reason to be in the kitchen at that hour. Master Kytrell was known to have insomnia. Carmeled pears, a favorite of his, were kept ready in the kitchen in case he was couldn’t sleep and wanted a snack.”

“And the eyewitness? Did this person give a reason for being up so early? Does this eyewitness have a name?”

Myriel folded the parchment back up again, “She did and she does. Her name is Serena, and she was gathering firewood for the kitchen’s stoves. Breakfast started early in the Kytrell household and the stoves needed to be hot by six.” The parchment was replaced within her jacket. “Miranda, as the cook, did not start baking until six. She had no reason to be in the kitchen at four.”

Jaedin finished buttoning up his jacket, “Did Miranda give a reason for her presence?”

“No. She refuses to speak to anyone.”

“Anyone?”

“…except…perhaps, you.”

There was silence for several minutes before Jaedin nodded slowly, “I see.” He turned away from Myriel and spoke to Marcus, who had remained close at hand. “Tell Kiera I will be down around eight for a late dinner. I am going to spend some time with Evelyn.” Jaedin took several steps towards the archway leading to the lighthouse side of the manor and then stopped, as if remembering something. He spoke without turning around, “That will be all, Constable. Thank you for delivering the news personally. I will make time early tommorow to speak to Miranda and will let you know if anything pertinent is uncovered. I will leave it to you to arrange the appropriate access for the interview.”

Without waiting for a response, Jaedin finished his trip across the foyer and disappeared through the archway. Myriel stood staring after Jaedin. Her quiet frustration at his abrupt departure left her angry and slightly confused.

Marcus’ gentle touch at her elbow startled her, “Constable? Would you like some hot tea before you leave?”

Her eyes flickered to the boy and she gave a sharp shake of the head. She left the foyer without another word.

“A day in the life of…” – Part 2

Myriel

The Constable’s red hair whipped around as Jaedin stepped into the hallway. She had clearly been expecting a longer wait. He greeted her with a smile. “Myriel. To what do I owe the privilege of your company?”

Caught off-guard, it took her a moment to focus on him. She stared at him for a few seconds before her eyes slid away. This was not their first meeting; the first time they met she had made the mistake of meeting his gaze with the full confidence of someone who thought they had nothing to hide. She had learned rather quickly that everyone had something to hide. Since then she had, so far, managed to avoid making the same mistake twice. “A courtesy call, Master Jaedin.”

A courtesy call, Jaedin thought, but not out of any courtesy on her part. Even Constable’s have patrons, and hers was a close acquaintance of Jaedin’s; a close acquaintance who owed him several favors. Myriel avoided him like the plague; her presence here meant her patron thought there was something he should know. “Regardless of the reason, it remains a pleasure. I am told you refused the comfort of my library?” His words were light, but his gaze never wavered from her face. “The foyer is really too cold for conversing.”

Myriel glanced towards the hallway leading out of the foyer, clearly unhappy at the idea of going any deeper into Jaedin’s home; the foyer was neutral territory – or, at least, she tried hard to convince herself that it was. When Myriel spoke, Jaedin didn’t need to read minds to know what she was leaving unsaid. “I…cannot…” Will not. “…stay long, I have pressing business elsewhere…” Orphans to feed. Eyes to gouge out. “…but your offer is courteous, Master Jaedin.”

“Well then, to business. What great or grave news has brought you here?”

She hesitated for a moment, her head turned just slightly to the side as she regarded the brightly woven tapestries adorning the foyer walls. They gave her a place to focus her gaze while she spoke, “Master Kytrell’s kitchen caught fire yesterday evening. There is nothing left but stone and coarse kitchenware.”

“Fascinating news, but I don’t see why…”

“Master Kytrell was in the kitchen when it caught fire.”

Marcus appeared in the foyer carrying a black jacket draped over one arm. Jaedin said, “I see. That is tragic. But I still fail to see that it is any affair of mine.” He turned towards Marcus and motioned him closer. Black jacket in hand, the boy approached and handed it to Jaedin.

“Miranda Ruethette.”

Jaedin paused, one arm in the jacket. “Miranda?”

“You know her then? She is…how did you put it, an affair of yours?” Myriel wasn’t quite smiling, but her shoulders relaxed as she found some verbal ground to stand on.

Jaedin didn’t answer her right away. He finished putting on the jacket and considered the woman in front of him. “How is she related to this?”

“She set the fire.”

“A day in the life of…” – Part 1

Isobel

The dream always ends with a fall. Dark blue ocean and red-hued sky go end-over-end like an erratic mobius strip, twisting and turning in a descent into darkness.

There was a knock at the study door. Jaedin sighed and opened his eyes. Isobel, a small black cat, woke from her position on his chest, leapt silently to the floor, and disappeared under the desk.

“Come in.”

The door was edged open slowly, and a brown-haired boy cautiously stepped into the room, “Master Jaedin, I am sorry to disturb you…”

The vestiges of the dream lingered in Jaedin’s memory and left him feeling strangely vulnerable. It was not a state he was familiar with and it left him uneasy. “I have no doubt you are very sorry for disturbing me. I have visions of you scrubbing kitchen floors in the very near future.” The tenor in Jaedin’s words managed to keep the words soft but enough steel remained to draw blood.

And yet, you did not last long in Jaedin’s company if you were afraid of a little blood. Already well indoctrinated to Jaedin’s habit and manner, the boy ignored the threat with the armored enthusiasm of youth, “The Constable is here to see you.”

“The Constable?” Jaedin swept his feet off the top of his desk, the disquiet of his dream temporarily forgotten. “Finally, something interesting. The kitchen will have to do without your exemplary cleaning skills for a few hours yet. Tell Gerald to see the Constable into the library and then wake Kiera and tell her to pull a nice red from the wine cellar for tonight’s dinner.” On his feet now, Jaedin stretched and felt the rest of the tension from his dream slip away in the wake of burgeoning curiosity. “Oh, and Marcus – check on Evelyn as well. I’ve got her detained at the top of the lighthouse and she may be thirsty. Offer her some water to drink but do not otherwise distract her.”

There was a soft blur of brown hair as the boy nodded and then he was gone. Jaedin needed to gather his thoughts. The Constable would not be here without good reason; she had a history with Jaedin and was not in the habit of seeking his company for social reasons. He had to be prepared to deal with whatever had brought her to his doorstep. Jaedin crossed the room to stand before the study’s only window.

Tall enough to step through and a good four feet in length, the window provided an unobstructed view of the ocean. The lighthouse he lived in was built atop a cliff that jutted sharply out over the water. It was late afternoon and the setting sun was splashing orange and red across the horizon. Jaedin’s eyes drifted lower, to the shoals at the base of the cliff. They were scattered with the wooden bones of ships that had not heeded the lighthouse’s warning.

Perhaps…perhaps, Jaedin thought, the source of falling dreams could be found here, in this vision of dark blue so vast it became a sky of sorts. Jaedin closed his eyes and let the colors play out against his mind. He imagined the fall, how it would feel to step over the edge and find the freedom it offered. In this moment of release he found the stillness he needed and felt his accustomed self-control settle over him like a mantle.

He opened his eyes and turned to look back at the desk. There, interrupted by his dream, lay an unfinished letter. The last few lines remained fresh in his mind.

“…and it is here, at the cusp of necessity and desire, that I feel the danger in being too impatient. Moving too quickly or too soon and my prey is startled, or worse, indifferent.

You knew me so well. Prey and predator in one, and now, with you gone…”

Enough of that, Jaedin thought and moved to the door. There was business to attend to. The letter, and its recipient, could wait.

“A day in the life of…” – Introduction

I think it best I precede the next post with a bit of an explanation; I am putting the finishing touches on a bit of writing I’ve been doing over the last month or so. It is less of a short story and more a prologue to a much larger story. That said, it does have a plot of sorts and has provided me some space to do some structured writing (I have this thing about staying between the lines…). I’ll be posting the story in sections as I polish it up.

If a bit of fantasy storytelling, a small murder mystery, and a woman being trained to control herself while being teased in cruel and inventive ways – if this is your cup of tea, enjoy. If not…well, why are you reading this blog?

Just kidding – I mean, how many others out there could have fantasies that involve binding a woman naked and spread-eagled at the top of the lighthouse just to watch her react to tha knowledge all those people down below can see the outline of her curves in dark relief…

Christmas in a Cemetary, Part II

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenious shame,
Or heap the shrine of luxury and pride,
With incense, kindled at the muse’s flame.

Thomas Gray, Elegy Written in a Country Churchyard

***

White marble archway; black gown; crimson panties under fingers that trace edges. This touch teaches you how to be exposed. This touch teaches you how to be vulnerable. This touch teaches you to belong to my fingers. This is the way your body responds, the little involuntary moves it makes when teased. The shifting of your hips back against me. The catch in breathing. The way your head turns towards your arm, brushing cheek against smooth skin. The sounds you make when a finger brushes against you.

There is the scent of desire, a taste in your skin, under my lips, in the press of hands burning their place into your thighs. There is a moment when my fingers move to your stomach, splayed fingers in position, the tips sliding just under the edge of the fabric, between cloth and skin, an invasion of sorts. Invited or not, requested or not, it is there and you know, in that moment of pressure as fingers dip lower, that you want it.

You lower yourself, pressing back, ass against my thighs, and your body becoming an arch of its own within the white marble gateway. My fingers are instruments, playing on your skin and driving the tension deeper with each slip of skin.

This…here…is how it feels….with fingers…on you…standing, gown half drawn around your waist, an almost-stranger pressing his hand between your thighs and holding you there, poised, his teeth grazing the edge of your ear, a distraction.

And…this…is where it starts, as fingers wrest your panties away from your skin, drawing them lazily over your thighs, a process slow enough to be *experienced*, the vestiges of covering divulged and left to slip to your ankles.

Nothing. That is what is between your thighs and the air. Nothing. That is what is between the heat and desire at the apex of your thighs, and my fingers. And everything, that is what is contained in the steady pulse of my fingertips as they find the hidden nub between your thighs. Everything, as nerve endings awaken and attune to my touch. Everything is what I am to you in the moment you feel it.

You give yourself to me in the way your thighs part even further to give me room to touch. You give yourself to me in the growing unease of your body as wanting becomes needing and your hips press back against me. You find a freedom that, holding yourself as a sacrifice within the marble archway, An offering to my hunger. An offering of life to the dead around us.

The warm press of lips on the back of your neck. The lowering heat of my body as I sink to my knees behind you, hands following down the insides of your thighs. My breath against the small of your back, the bunched black cloth brushing the top of my head.

One breath, another, lips so close to you skin you can sense more than feel them, parting, moist and hot against the indent that starts the curve of your ass. Like waiting to feel where my lips will fall next. Will it be along the curve of your backside, a subtle and naughty taste along your bared skin? Will it be teeth biting into the skin along your sides? Lips leaving small wet kisses along the back of your thighs?

The story hinges, here. It rests of the moment I nuzzle the back of your spread thighs, my breath becoming mist in the winter air. Wanting you to feel how close I am. And you do feel it. The way my nose brushes against the line between your cheeks, the way my lips find the most sensitive spot along your thighs to taste, the way my hands draw your legs further apart. The way you become wet for me.

A kiss nestled between the back of your thighs. A kiss from behind. A kiss of parted lips. A kiss of tongues and flesh. A kiss dressed in black cloth, hidden by your dress.

Can you feel it when I kiss? Where my face would press, deep enough to taste from behind?

I can see you leaning forward, hands braced on the marble. Opening yourself to my kiss. Baring yourself to my hunger.

My hands wrapped around your upper thighs to keep you there. The first time my tongue slips against you to lick the line from your heat and the edge of your ass. So very slowly, just the tip of my tongue there. Just enough for you to know where it is. Where it moves.

Keeping you on that edge, my fingers tightening, holding you, your trembling driving me further, the edge of my tongue dipping just along the line between your cheeks. Holding your weight with my hands as you lower yourself further still.

Urgency in the way you move, the heat and wetness against my face with you parted before me. An urgency I play into now, the edge of my tongue dancing back and forth along the sides of your clit, hard, quick, steady, until you give way, letting go with a startled gasp that leaves you panting. So quickly, that release, so fast in the way you give in to me.

So quickly our lives are spent. Moments made of these, sparks of life against the flint of marble stone, a brief flare of lust and need, and now there is the cooling, staved off by the press of warm skin, a clasping of bodies within winter’s baring touch.

Christmas in the Cemetary, Part I

I work with someone who spends a lot of time in his off-hours fixing gravestones and assisting in the caretaking of several local cemeteries. Every Christmas a group of people, who all share similar hobbies as his, have a ‘Baltimore Cemeteries Christmas Holiday Crawl’. An activity that consists of visiting as many Baltimore cemetaries as possible and taking pictures of those gravestones decorated for the holidays.

Wreathes, pinecones, little Christmas trees, red ribbons, mistletoe and red roses with green bows. All draped over marble and granite.

Looking beyond the morbid tendencies implied by this, I found myself viewing the pictures with a smile. Cemeteries are for the living, not the dead; these pictures showed life, love, and joy.

Recently I began speaking with a woman who has a fascination with death. A lot of her fantasies revolve around graveyards, mortuaries, and mausoleums. I wrote her a story.

***

I have an image in mind; a cemetery, a white marble archway, just a bit dirty. Stood within, hands out-stretched to touch the top, feet spread apart. Black gown against the white marble, eyes closed, head cast back. This is you. There is a coolness, a breeze that stirs black cloth against skin. There is a stillness in standing there among the dead. Of being still enough to be a statue within the archway. Of you being silent.

A moment, when the hand first slips around the front of your throat, as if you were made of marble yourself; no sound, just a presence at your back. Black on black, your eyes remain closed as fingers grasp your throat in a grip tight enough to feel each slow breath.

But you remain still. Still against this body behind you. Still as a statue. Still as the dead. Lips cruelly warm against a cold neck. The biting edge of teeth when lips are drawn back, right along your pulse. Tasting the heat and subtle warmth this spot offers, a source of life amid the winter trees and rows of marble headstones. A quickened pulse becomes a beacon, the rhythm of hands and teeth. A beat that is played against skin when teeth test the tension of your throat and fingers curl against the waist, dragging the edge of the gown up over your calves.

For all of this, we make no sound beyond that made by the beating of your heart and the breath that escapes your lips.

Skin already cooled, already touched by winter’s edge, is exposed further. Inch by inch, the curling of fingers at your waist a measure of motion that draws black cloth up your legs, past your knees, to mid-thigh. No more exposed than a short skirt would offer, but here, in this archway, it lays you bare. Because here you are mine, here you are guided by the hands at your waist. Here you belong to the archway and the gravestones. To the specter at your back.

It is a place both comforting and dangerous, uneven ground in a city of crimson and black. The hands that guide you are sure, and your trust in them is enough to keep you from falling too far. But fall, you do. Just enough. Into the weight at your back, into the presence that holds you. The first touch of fingertips along the edge of your bared thigh is almost expected, but startling still for their presumed intimacy, their assured touch, slow touches warming the cooled skin.

A catch in your breath that is a question, and then answer enough for fingers to press against flesh; spread legs, spread thighs, framed in the marble arch; fingers can find the soft sensitive heat of inner thighs, chilled by the air and warmed by hands unafraid to touch you, to embrace you. Never too quickly, always at a pace just behind what you want, want you find as a need. Your pulse racing ahead of fingers as they spread against you, shifting up, under your gown and against naked skin, the black of the cloth draping over arms as fingers find the lines of your pelvis.